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Browse by: Bea Arthur (Biography) (0.14 seconds)
 
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And I hate autobiographies, I don't know why.
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And of course Mae West when I was very, very young, I thought she was the end.
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But at least I'm not playing other people for a change.
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But I did like the fact that we did a lot of good in presenting problems that had not been tackled before on television.
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But I've been doing it most of my adult life, and I like the idea of a one woman show, because it's something I can do when I want to, and not to it when I don't want to do it.
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But of course, it's very nice to have women realize that women our age can be attractive and well groomed and wear fabulous clothes and earrings, and have a sex life.
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But that's one of the nice things about doing a stage show, if something doesn't work out, you have the luxury of working on it over time.
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Down in Florida it was an older audience, and it was interesting to see how they responded to things compared to other audiences, it's been very interesting.
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Every time you perform you learn a little bit more.
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Except for one thing, I no longer do benefits for research, I do benefits to make sure the people who are infected are taken care of are treated, and fed and housed, and their lives made a little easier.
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Except I really wanted to be a small little blonde musical type in the movies. I wanted to be a starlet.
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For us it was really the same, because we did the show in front of a live audience, it was like being on stage.
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Having a recurring gay character in the 80's just wasn't feasable.
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I can't imagine working without and audience.
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I can't say it's autobiographical, but I do tell a number of anecdotes that I think are amusing.
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I did a thing on Malcolm in the Middle which I loved.
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I don't think there was ever an embarrassment, there was such love going back and forth between the audience and us, that nothing was embarrassing.
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I feel I'm an actress who sings a bit.
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I guess having two kids who are bright and articulate and have great humor and are decent.
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I guess just, I don't know, I didn't know I was that vibrant, I just love being alive, and I love people, and I find something wonderful everyday.
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I have decided that I don't want to do any more episodic television.
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I have two enormous Dobermans, they couldn't possibly fly with me.
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I love cooking, I love reading, I love anything that doesn't take too much exercise!
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I think I always sang, I always used to listen to old Bessie Smith records, and Kate Smith. And Billie Holiday. Before television when there was radio.
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I think the mother-daughter between Estelle and me was one made in comedy heaven.
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I watch a lot of news shows and I love Nick at Night, and the Comedy Channel.
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I'd never even been to Wrigley Field. I never even enjoyed baseball that much, but I loved being there, the crowd was lovely, and they all sang with me!
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I'm here now in Chicago doing my own show, and I think Golden Girls is shown three hours a day here, and everybody loves it.
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I've been blessed with both shows, with that and with Maude, working with terrific writers and directors.
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I've lost quite a bit of weight since I did Maude, but I don't see myself looking better, I think I look older. Because I am!
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If you would have told me ten years ago I'd be doing this and being received like I am now, I'd say you're crazy.
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In a theater you have that many more seats, so that many more people, and they are feeding you, telling you how far you can go or what you can do.
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In the show I actually talk a lot about how TV has changed.
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It was so bright and so adult. It didn't dawn on me that we were older/elderly women.
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It's a very small operation, there are five of us traveling, and I like working with different audiences, seeing how different it is from one night to the next.
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It's so rewarding when you hear the audience respond.
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Later, of course, people felt we were doing so much to further the cause of mature women.
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Life is filled with a lot of stuff, you know. There is never a dull moment.
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Maude's age, her outspokenness, make her real. For the first time, a person is coming on in a TV sitcom.
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No, no. I was never that involved in anything political actually.
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Now this goes to the grave with you - I hate cheesecake!
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So what does it all mean? You become a popular TV personality. Fifteen million viewers weekly. Top ratings.
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Some people say I'm only happy when I'm working, or not working, I'm happy whether I'm working or not, my animals, my kids, anything.
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That's another reason that I don't want to do any more series. It really took up more time than I should have allotted to it.
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The only one I wanted to do that I didn't was Gypsy, but by the time they got around to asking me, everybody in the world had played it, so I thought now is not the time.
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There are moments, I'll be home cooking or something, and it comes to me all at once, and I can't believe it.
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There was so much more we wanted to cover on the show, but since I couldn't get the network censors to budge, I decided to leave the show.
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They just assumed I was the Joan of Arc of the women's movement.
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Unfortunately opening night in Minneapolis I fell of the stage.
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When you are working with someone it's like family, you are together every day.
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Yes, but I've done musical revues mostly.
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Yes... a little bit, I think I am a bubble-pricker... I don't like anything phony.
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You see I feel we did the best work we could possibly do, I don't think the writing could be any better, so why go back to it?

Biography

Beatrice Arthur (born Bernice Frankel on May 13, 1923), is an American actress and comedienne with a distinctive deep voice, acid wit, and height (standing at 5'10"). Her notable television roles include the title role on the popular sitcom Maude in the 1970s and a starring role on The Golden Girls in the 1980s.

In the former she played Maude Findlay, an outspoken liberal living in Westchester County, New York; the show was a spinoff from All in the Family, on which Arthur had appeared in the same role. In the latter she played the character Dorothy Zbornak, a middle-aged woman who lived in a Florida house with two room mates (Betty White and Rue McClanahan) and Dorothy's short-tempered yet hip old mother, played by Estelle Getty. One of the most ironic things about casting Getty in this role was that she is actually two months younger than Arthur, so Getty was heavily made-up to seem significantly older.

On stage, her roles include Lucy Brown in the 1954 Off-Broadway premiere of Threepenny Opera, Yente the Matchmaker in the 1964 premiere of Fiddler on the Roof on Broadway, and a 1966 Tony Award-winning portrayal of Vera Charles in Mame. In 1981, she appeared in Woody Allen's The Floating Lightbulb; two decades later she toured the U.S. in a one-woman show which opened in Broadway in 2002 as Bea Arthur on Broadway: Just Between Friends.

Arthur was born in New York City and grew up in the state of Maryland. During World War II she volunteered for the U.S. Marine Corps, becoming one of its first female recruits.

TV Work

*Caesar's Hour (regular performer from 1954-1956)
*Maude (1972-1978)
*Amanda's (1983) (canceled after 4 months)
*The Golden Girls (1985-1992)
*My First Love (1988)
*Dave's World (cast member from 1996-1997)

...(more on Wikipedia)

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Bea Arthur".
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