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And I always had people telling me, 'You can't do this. You're from Long Island, how do you expect to be on Broadway? You can't go into the city and be on Broadway.' What do you mean? It's an hour away! Of course I can be on Broadway someday.'
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At the time, I thought it was a piece of cake. Very often, I was playing three clubs a night, sleeping two hours a night, and dashing off to high school. It all seemed very normal to me at the time-especially because I've always believed that success comes from hard work. But I don't think I could ever go back to that kind of lifestyle and not completely lose my mind.
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For as long as I can remember, I walked, talked, and sang, and entertained. I mean, this picture that I look at, and, you know, I don't even remember it, obviously, because I was only two.
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I did, like, a couple of sexier videos, because all of a sudden I went, 'Wow, I have a body. I have this side of me that I haven't shown yet.' And I started kind of playing around with that side of things.
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I tend to get into something, like two feet and jump in, you know, she's always kind of going, 'Come on, Deb, it's your career, slow down, take it easy'."
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I think any parent that makes their kid sit at a piano against their will and practice, they're going to have a kid that's not going to want to play the piano.
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I think everybody changes from 16 to 24. Actually, I'm right on the verge of 25.
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I'm glad I started so young, because you are really able to endure so much at that age.
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I'm kind of a quirky dresser usually. Like today, I'm actually pretty put together, but I dress kind of off sometimes, but that's just part of my personality.
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I've been sponsoring kids in Manila, for like, 6 years. And I got to meet them. Now, how many people write away in the mail... you don't even know if these organizations are for real. So, there are examples of the power of music that come into play, like that, where I go, 'This is great. This is amazing that I'm here with these kids.'
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I've been, I think, able to stay grounded in such a crazy business, and I attribute that a lot to my family, and especially to my mother. Because, you know, she just was always there to kind of remind me of what priorities should be. O.K., yes, I'm an artist, I'm a performer, but I'm a sister, I'm a daughter, I'm a granddaughter, I'm an aunt. Those things have to be as important, if not more important, than my career.
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Once I started writing songs, though, there was this feeling of, 'Oh my God, what a cool thing to be able to say to someone, 'You've never heard this before. And I know you haven't, because I wrote it.' I felt like, 'Wow, if I could present something new to people, that would be the ultimate thing.'
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One of my favorite songs from the album is a song called 'For Better or Worse,' and it's basically about unconditional love, which is, I'd say, an ongoing theme in my personal life.
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The cool thing is that people have been so responsive to my work on stage that I've actually had to turn things down. I have so many things I want to do, from flying an airplane to writing a symphony, and doing motivational speaking to groups of teenagers. Making records is now only one part of a great big picture in my life.
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The ideal situation would be to bypass all of the drama and mayhem and just get the music right to the people. I'm confident that we'll eventually figure it out.
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The music now is about my personal life, where I'm at as a 24-year-old young woman, so it's very honest and it's very pure and it's very emotional.
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This business is about working. It's really not about glamour. For me, the most glamorous thing about it is to b able to get on stage and perform my music for people. That's the privilege. And that's what all the work leads up to, and that's why it's worth it to me.
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This is the time it all starts, I'm telling you. Like, 16, I mean, forget it. You could just get beat up, you could go through these grueling schedules.
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What I love about how my career has gone up to this point is that I've always, always put my head down on my pillow at night, and I've been able to say that I've done, honestly, what I've felt like I wanted to do. And that's really all you can hope for in everything you do.
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What we found is that there is a whole network of people who are college age and older, who are fairly well educated and are looking for an alternative to what's on pop radio. They are into books, movies, and go to cappuccino bars instead of alcohol bars - they are actually a lot like me.

Biography

Deborah Ann Gibson (born August 31, 1970) is an American singer who was, along with Tiffany in the late 1980s, a very popular teen idol who appeared on the cover of teen magazines such as Tiger Beat multiple times. During the time she was a teen idol, she became known to the world as Debbie Gibson, although she prefers to be called Deborah.

Biography

Gibson was born in 1970 in Brooklyn, New York.
At the age of five, she and her sisters began performing in a community theater, and she wrote her first song. When she was eight, she sang at the children's chorus in the Metropolitan Opera House in New York, where she got to meet such singers as Plácido Domingo and others. When she was 12, Gibson was already performing in Broadway, but as an actress.

When Gibson turned 16, she was signed to a recording contract by Atlantic Records, and soon she became the youngest person ever to write, record and produce a number 1 hit, with her single "Foolish Beat", going up to number one. Another single of hers, "Only In My Dreams", also made it to the top.

Her initial success was followed by another smash hit in "Out Of The Blue". By this time, she and Tiffany, with her remake of "I Think We're Alone Now", were fighting for the top position as teen queen of the United States.

In 1989, at the peak of her popularity, she was the subject of a satirical song by Mojo Nixon, entitled "Debbie Gibson Is Pregnant With My Two-headed Love Child".

After her popularity as a pop singer waned, she returned to Broadway in 1992, playing Eponine in Les Misérables. Then, she went to London, where she landed the character of Sandy on London's West End's theatrical production of Grease. Upon returning to the States, she also participated on the Broadway version of the 1950s musical, but this time she played Rizzo. She also played Fanny Brice in the Funny Girl touring production. She also participated in the Broadway production of Beauty and the Beast (as Belle), and '' at The Papermill Playhouse (as Gypsy Rose Lee). She also participated in a national tour with Joseph and the Amazing Technicolor Dreamcoat, where she played the character of The Narrator, and as Cinderella in the national tour of the play of the same name. In October 2002, she began work in the play Chicago in Boston.

In 1995, she signed with EMI Records' SBK Records division and recorded what would be her only album for the label,
Think With Your Heart. The album's producer, Niko Bolas (usually Neil Young's co-producer), was also producing the reunion album for veteran punk band The Circle Jerks, and invited Gibson to a recording session for that band's album. She subsequently ended up singing background vocals on the song "I Wanna Destroy You" as well as appearing at and participating in the Circle Jerks' performance at legendary punk venue CBGB's, wearing one of the band's t-shirts and sharing a microphone with frontman Keith Morris. (Unfortunately for posterity, the show, with the exception of photographs, wasn't recorded, nor was Gibson able to participate in the video the group shot for the song.)

After parting company with EMI, Gibson formed her own record label to release her original material.

The March 2005 issue of Playboy features a nude pictorial with Gibson, the release of which co-incides with the release of her new album, "Naked."

...(more on Wikipedia)

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Debbie Gibson".
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