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Vote: | I could see no reason why used tram tickets, bits of driftwood, buttons and old junk from attics and rubbish heaps should not serve well as materials for paintings; they suited the purpose just as well as factory-made paints... It is possible to cry out using bits of old rubbish, and that's what I did, gluing and nailing them together. |
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Vote: | My name is Kurt Schwitters... I am an artist and I nail my pictures together. |
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Vote: | The picture is a self-sufficient work of art. It is not connected to anything outside. |
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Biography
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Kurt Schwitters (June 20, 1887 - January 8, 1948) was a German painter who was born in Hannover, Germany.
Schwitters worked in several genres and mediums, including Dada, Surrealism, poetry, sound, painting, collage, sculpture, and what came to be known as installations.
Biography and art
Though not a direct participant in Dada activities, he deployed Dada ideas in his work, such as his Merz works — art pieces built up of found objects into large constructions, or what would later in the 20th century be called installations. The Sprengel Museum in Hanover has a reconstruction of the best known of these installations, called Merzbau, which was a redesign of Schwitters's own apartment in Hanover. The original Merzbau was destroyed in an air raid during World War II. According to Schwitters, merz is derived from the name of the Commerzbank; the word is also notably similar to the French word merde.
A story is told, but untrue, that he attempted to join the network of artists, only to be rejected by the leader of the Berlin movement, Richard Huelsenbeck, on the premise that Schwitters was too bourgeois for Dada.
In 1937, he was included in the Nazi exhibition of degenerate art (entartete Kunst) at Munich. Schwitters started a second Merzbau
while in exile in Oslo, Norway in 1937 but abandoned it when the Nazis invaded, and this Merzbau was subsequently destroyed in a fire as well.
Schwitters fled to England, and was initially interned in Douglas Camp, Isle of Man. He spent time in London, then moved to the Lake District, where, in 1947, he began work on the last Merzbau, which he called the Merzbarn. This last structure is now in the Hatton Gallery in Newcastle.
He composed and performed an early example of sound poetry, Ursonate (1922-32; the transliteration of the title is Primordial Sonata). Switters also authored the poem An Anna Blume.
Switters died in Kendal, England, and was buried in Ambleside. His grave was unmarked until 1966 when a stone was erected with the inscription Kurt Schwitters – Creator of Merz. The stone remains as a memorial even though his body was later disinterred and reburied in Hannover, Germany, the grave being marked with a marble copy of his 1929 sculpture Die Herbstzeitlose.
...(more on Wikipedia)
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This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Kurt Schwitters".
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