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Other authors named Lionel:
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Author's popularity: 2
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Popularity: -1
Vote: | Black and white players hadn't appeared together in public before Teddy Wilson and I began working with B.G. |
Popularity: 3
Vote: | Chicago was jazzy, man, jazzy - they had all the great jazz men. |
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Vote: | Every day I look forward to getting with my instruments, trying new things. |
Popularity: 4
Vote: | I feel honored to have been a part of that dramatic change. |
Popularity: 1
Vote: | I think I love it more as I get older because I keep getting better on drums, vibes and piano. |
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Vote: | I worked hard learning harmony and theory when I was growing up in Chicago in the 1920s. |
Popularity: 2
Vote: | I've always been crazy about playing. |
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Vote: | Music was our wife, and we loved her. And we stayed with her, and we clothed her, and we put diamond rings on her hands. |
Popularity: 3
Vote: | Playing gives me as much good feeling now as it did when I was a bitty kid. |
Popularity: 4
Vote: | Playing is my way of thinking, talking, communicating. |
Popularity: 1
Vote: | So I always figured I'd still be playing at this age. |
Popularity: 1
Vote: | That was a big deal at the time, because no blacks were integrated with whites in anything - not in sports, basketball, football, nothing. |
Popularity: 2
Vote: | Working with Benny was important for me and for black musicians in general. |
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Biography
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Lionel Hampton (April 20, 1908 – August 31, 2002), was a bandleader, jazz percussionist and vibraphone virtuoso. Hampton was born in Louisville, Kentucky.
"Hamp" ranks among the greatest names in jazz history and worked with a who's who of jazz musicians, from Benny Goodman to Charlie Parker to Quincy Jones.
Hampton moved to Chicago as a child and began his career as a drummer. He relocated to Los Angeles to play drums in Les Hite's band. They soon became the house band for Frank Sebastian's New Cotton Club, a popular L.A. jazz club.
During a 1930 recording date in the NBC studios in L.A., Louis Armstrong discovered a vibraphone (which is similar to a xylophone, but with a vibrato mechanism). He asked Hampton if he could play it. Hampton, who knew how to play the xylophone, tried it and they agreed to record a few records with Hamp on vibes. Hampton is credited with popularizing the vibraphone as a jazz instrument.
In the mid-30s, the Benny Goodman Orchestra came to Los Angeles to play the Palomar Ballroom. John Hammond brought Goodman to see Hampton play. Goodman asked Hampton to move to New York City and join Goodman, Teddy Wilson, and Gene Krupa to form the Benny Goodman Quartet. The Quartet was one of the first racially integrated bands to record and play before wide audiences.
While Hampton worked for Goodman in New York, he recorded with several different small groups known as the Lionel Hampton Orchestra. In the early 40s he left the Goodman organization to form his own touring band.
Hampton's band fostered the talents of Illinois Jacquet, Dexter Gordon, Ernie Royal, Jack McVea, Charlie Mingus, Monk Montgomery, Wes Montgomery, Quincy Jones, Benny Golson, Fats Navarro, Kenny Dorham, Clifford Brown, Dinah Washington, Betty Carter, Joe Williams, Arnett Cobb, and Earl Bostic, among many others.
His wife, Gladys Hampton, was his manager throughout much of his career. Many musicians recall that Lionel ran the music and Gladys ran the business.
Hampton's recording of "Flying Home" (1939) with the famous honking tenor sax solo by Jacquet, later refined and expanded by Cobb (1946), is considered by some to be the first rock and roll record. Quincy Jones once stated that Hamp was like a rock and roll musician in that "Hamp would go for the throat every night and the people would freak out".
He was known for his tireless energy and his skill on the vibes, drums, and lightning speed two-fingered piano. The bars on the vibraphone are laid out like the piano; Hampton played both instruments the same way.
Beginning in the mid-1980s, Hampton and his band started playing at the University of Idaho's jazz concert, which in 1985 was renamed the Lionel Hampton Jazz Festival. In 1987 the University's music college was renamed the Lionel Hampton College of Music, the first and only university music college to be named after a jazz musician.
Lionel Hampton died of cardiac arrest at Mount Sinai Medical Center in New York at about 06:15 AM, on August 31, 2002. He was interred in the Woodlawn Cemetery, Bronx, New York.
Samples * of "I'll Never Be the Same" by Hampton and Buddy Rich
...(more on Wikipedia)
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This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Lionel Hampton".
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