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Browse by: Madeleine Peyroux (Biography) (0.19 seconds)
 
 
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I could spend my life as an anarchist, but to completely disassociate myself... doesn't solve any of the problems.
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I had all sorts of music around me, from Fats Waller to French chanson. I had no desire to categorise. I'd not sung Dylan and Cohen before, but once my producer had introduced me to the songs, and I felt they sat well with my voice, then sure, I was going to sing them.
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I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.
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I love playing to people and seeing them react.
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I was very lucky. Things happened, both bad and good, but I never got into real, deep trouble. But it wore me down. By the time I was 18, I was done. I didn't want to live the life any more. I needed to develop past the point that busking takes you to.
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I'm very conscious of developing my singing, technically and stylistically. I want it to become more individual, express more of me. That's my goal. These songs are steps along that way.
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It's been a good eight years.
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It's great to have other people's help. Then the music gets heard. There's a lot more commercial support for that now.
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It's wonderful to work with someone with mentor status.
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It's work. I recognize that it's work, and it can be hard work, so making it a commodity is not so hard to believe.
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Jazz really does try to include everything. It's always been popular music. But the wonderful thing about jazz is its willingness to take chances.
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My father had a varied ear, from Hank Williams to Ravel.
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My father's record collection was full of New Orleans music of all kinds. I used to listen to the radio in New York, and all there was on it at the time was Madonna and Michael Jackson, so it sort of passed me by.
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My parents were older than normal when they had me, and had been very into the politics of the 1960s, so I was brought up in that atmosphere.
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Once I was in the city, I really enjoyed it. Just to experience things. There was so much new stuff.
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Seeing how those companies operate, it didn't amount to a massive vote of confidence in their artists. There was talk of me going to Columbia after that, but nothing happened. I got disillusioned, and I pulled back.
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Things changed so quickly. The Atlantic jazz department just went from under us.
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When I got to Paris, it was a different world. French radio-another universe from U.S. radio. I found music that could sustain me. I found jazz and other music that I could call mine.

Biography

Madeleine Peyroux is a jazz singer who was born in the U.S. state of Georgia and raised in New York, New York and Paris, France. She is noted for her vocal style, which is highly reminiscent of Billie Holiday. Peyroux was launched into the limelight in 1996 when, at 22 years of age, her debut compilation Dreamland gained widespread attention. TIME called it "the most exciting, involving vocal performance by a new singer this year." Peyroux soon found herself opening for Sarah McLachlan and Cesaria Evora, and made appearances at jazz festivals and along the Lilith Fair tour.

She continued to perform and contribute to works by other artists, but didn't release another album of her own until late 2004, when Careless Love again received rave reviews.

External links

*Rounder Records: Madeleine Peyroux

...(more on Wikipedia)

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Madeleine Peyroux".
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