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Browse by: Morris Chestnut (Biography) (0.25 seconds)
 
 
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A lot of times, women don't get the male perspective in regards to a relationship, what men go through when they're not really dealing well.
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And I think from a male perspective, we have men talking about their feelings and it being okay.
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And when I first came into this industry, I never wanted to be engulfed by it, because very few people have longevity.
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As a black man, I represent because I pick diverse roles and focus on entertaining.
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At one point, people thought that Eddie Murphy would only reach one sector of the audience, but now everyone sees everything Eddie Murphy does.
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For some actors, you can tell, that scene is in the movie so he can take his clothes off: I don't want to become that actor.
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I am just another fireman because the story focuses on Joaquin Phoenix's character, but I play Joaquin's close friend and I get burned up a little bit, but I don't die.
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I can't say that we went through the academy because we weren't being tested and we knew we had a job, but we did set some fires and put them out.
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I did a film which was considered an independent movie with Dustin Hoffman and Andy Garcia called Confidence, and that's the type of film I was willing to take a chance on that because of the caliber of people involved with the film.
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I don't have to be in charge of every single angle, every single word, should he wear the blue shirt or the red shirt, or the light red shirt?
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I don't like snakes.
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I enjoy what I do, but it's more challenging than people think.
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I felt it was important to convey to people, especially younger people, that everything on the surface is not always what it seems.
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I hate being cold and I hate being wet and around 80% percent of this film I was cold and another 60% I was cold and wet, so it wasn't the best shoot for me.
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I think that Mos Def is the best actor, but when you talk about rappers in films, I don't really think the quality of the acting is most important because most rappers are put in movies because of the personality and people want to see that.
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I think that we have to hit the mark, and once we hit that, a trend develops in order for a lot of those types of films to be made.
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I think the best type of action movie combines a love story with the action.
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I want to tell stories for everyone, primarily.
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I want viewers to relate to me on a different level, not just a sexual level.
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I wanted to punctuate some of my thoughts and feelings, but they wanted the PG-13 rating.
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I would like more challenging roles. I definitely would like to something that's more challenging.
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I would never want any of my kids to go into this industry; not until they are old enough to understand and if this is something that they really want to do.
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I'm getting to the point where they see me as a good actor, rather than just a good guy who can act.
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I'm just happy to be working consistently.
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I'm not going to take my shirt off in every movie.
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I'm the poster boy for perseverance and self-evaluation.
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I've been in a situation where I was after the money.
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It's hard when you see a scene where it's raining, and we have the rain machine, and you see it for 5 minutes, but that scene takes all day to shoot, and you do it with rain, and the dry off, and go back and do it again.
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It's not always about the money.
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Nah, I'm not a prima donna, but I just don't like being cold and wet.
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Oh yeah, I'm a huge romance fan. And some women like action.
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Particularly in African American filmmaking, there aren't too many love stories.
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Producing is easier, I can just be at the set overseeing the story.
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Showtime has given new, young filmmakers - black, white, across the board - an opportunity to make films, as well as actors who want to cross over into directing.
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Some people make a career out of doing one thing, but I wanted to diversify my body of work.
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That's attributable to my mother and my father, they're always striving to make me humble, and encouraging me to be myself.
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The studios have been successful marketing action movies with buddy protagonists, but I want to do an action movie that's based around a love story, so the two central characters are male and female, and not necessarily black male and black female, maybe black male and white female.
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The thing about independent films, and you have to be very careful, because there are a gazillion independent films done every year, but then you don't want to be a part of that one that goes straight to video because it hurts your marketability.
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The thing about snakes is that how do you defend yourself against a snake if you don't have a weapon. You can't strangle it.
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There are a lot of people in this business that don't work consistently.
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This film is what it is. It's a campy thriller horror movie where you go and have fun. With these types of films, you can't take it too seriously. They are what they are.
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This industry is very make-believe and you caught in a false sense of what reality is.
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To me the work is so much more interesting, the parts that don't require you just to take your shirt off.
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Unless you are really grounded and have a true sense of reality, you can get lost in that and a lot of people do and that's why you see so many people with successful careers but with destructive lives.
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When you are the lead in a romantic comedy, you have to worry about people really liking you.
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You can become really pigeon-holed in this industry.
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You go from movies where you are wearing nice clothes and you're trying to smell good to a movie where you are in water and you are wet all day, and you are dealing with that elements, it gets rough, but it was definitely something I wanted to try.
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You have to be insane to direct.
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You start making movies and people start seeing when you go to places, and all of a sudden you are getting clothes for free and all of a sudden you are getting food for free.

Biography

Morris Chestnut (born January 1, 1969) is an African American film and television actor. He and majored in drama at California State University. He is married, and said (in an interview for essence.com) that he prefers to keep his private life private.

Filmography

*Boyz N the Hood (1991)
*The Last Boy Scout (1991)
*In the Line of Duty: Street War (1992)
*The Ernest Green Story (1993) (TV)
*
The Inkwell (1994)
*Under Siege 2: Dark Territory|Under Siege 2 (1995)
*G.I. Jane (1997)
*Firehouse (1997) (TV)
*The Best Man (1999)
*The Brothers (2001)
*Two Can Play That Game (2001)
*Scenes Of The Crime (2001)
*The Killing Yard (2001) (TV)
*Like Mike (2002)
*Half Past Dead (2002)
*Confidence (2003)
*Breakin' All the Rules (2004)
*'' (2004)
*
Ladder 49 (2004)
*
The Cave'' (2005)

...(more on Wikipedia)

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Morris Chestnut".
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