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A single day is enough to make us a little larger or, another time, a little smaller.
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Art does not reproduce the visible; rather, it makes visible.
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Beauty is as relative as light and dark. Thus, there exists no beautiful woman, none at all, because you are never certain that a still far more beautiful woman will not appear and completely shame the supposed beauty of the first.
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Children also have artistic ability, and there is wisdom in there having it! The more helpless they are, the more instructive are the examples they furnish us; and they must be preserved free of corruption from an early age.
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Color possesses me. I don't have to pursue it. It will possess me always, I know it. That is the meaning of this happy hour: Color and I are one. I am a painter.
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Democracy with its semi-civilization sincerely cherishes junk. The artist's power should be spiritual. But the power of the majority is material. When these worlds meet occasionally, it is pure coincidence.
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Everything vanishes around me, and works are born as if out of the void. Ripe, graphic fruits fall off. My hand has become the obedient instrument of a remote will.
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He has found his style, when he cannot do otherwise.
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In the final analysis, a drawing simply is no longer a drawing, no matter how self-sufficient its execution may be. It is a symbol, and the more profoundly the imaginary lines of projection meet higher dimensions, the better.
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Nature is garrulous to the point of confusion, let the artist be truly taciturn.
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One does not lash hat lies at a distance. The foibles that we ridicule must at least be a little bit our own. Only then will the work be a part of our own flesh. The garden must be weeded.
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One eye sees, the other feels.
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Satire must not be a kind of superfluous ill will, but ill will from a higher point of view. Ridiculous man, divine God. Or else, hatred against the bogged-down vileness of average man as against the possible heights that humanity might attain.
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Some will not recognize the truthfulness of my mirror. Let them remember that I am not here to reflect the surface... but must penetrate inside. My mirror probes down to the heart. I write words on the forehead and around the corners of the mouth. My human faces are truer than the real ones.
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The art of mastering life is the prerequisite for all further forms of expression, whether they are paintings, sculptures, tragedies, or musical compositions.
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The worst state of affairs is when science begins to concern itself with art.
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To emphasize only the beautiful seems to me to be like a mathematical system that only concerns itself with positive numbers.
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When looking at any significant work of art, remember that a more significant one probably has had to be sacrificed.

Biography

Paul Klee (December 18, 1879 – June 29, 1940) was a Swiss painter.

Klee was born in Münchenbuchsee (near Bern) of Switzerland into a musical family - his father, Hans Klee, taught music at the Hofwil Teacher Seminar near Berne. In his early years, Paul wanted to be a musician, but decided on the visual arts in his teen years. He studied art in Munich with Heinrich Knirr and Franz von Stuck. After travelling to Italy and then back to Bern, he settled in Munich, where he met Wassily Kandinsky, Franz Marc and other avant-garde figures, and became associated with the Blaue Reiter. Here he met Bavarian pianist Lily Stumpf, whom he married; they had one son.

In 1914, he visited Tunisia and was impressed by the quality of the light there, writing "Color has taken possession of me; no longer do I have to chase after it, I know that it has hold of me forever ... Color and I are one. I am a painter."

Klee worked with many different types of media - oil paint, watercolor, ink and more. He often combined them into one work. He has been variously associated with expressionism, cubism and surrealism but his pictures are difficult to classify. They often have a fragile child-like quality to them, and are usually on a small scale. They frequently allude to poetry, music and dreams and sometimes include words or musical notation. The later works are distinguished by spidery hieroglyph-like symbols. His better known works include Southern (Tunisian) Gardens (1919), Ad Parnassum (1932) and Embrace (1939).

Following World War I, in which he fought as part of the imperial German army, Klee taught at the Bauhaus, and from 1931 at the Düsseldorf Academy, before being denounced by the Nazi Party for producing "degenerate art".

Composer Gunther Schuller also immortalized seven works of Klee's in his Seven Studies on Themes of Paul Klee. The studies are based on a range of works, including Alter Klang [Antique Harmonies], Abstraktes Terzett [Abstract Trio], Little Blue Devil, Twittering Machine, Arab Village, Ein unheimlicher Moment [An Eerie Moment], and Pastorale.

In 1933, Paul Klee returned to Switzerland; in 1935 he was diagnosed with scleroderma. The progression of his disease can be followed through the art he created in his last years.

He died in Bern in 1940.

Today, a painting by Paul Klee can sell for as much as US$7.5 million.

A museum dedicated to Paul Klee was built in Bern, Switzerland, by the Italian architect Renzo Piano. It opened in June 2005. It houses a collection of about 4000 art works by Paul Klee. Around 200 pieces of art are on display.

External link

*Paul Klee Paintings, Biography, and Historical Information
*Zentrum Paul Klee - The Paul Klee museum in Bern

...(more on Wikipedia)

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Paul Klee".
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