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Browse by: Peter Farrelly (Biography) (1.75 seconds)
 
 
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Acting is easy. Mainly because we have a lot of roles-and they're like our friends and they want to be in movies, so we put them in.
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After a couple of years of sales, I started writing on my own. Just got the bug, I guess. I wasn't much of a writer at all... hadn't written anything. I went back to grad school for creative writing, and while there, me and a friend of mine, Bennett Yellin, whipped off a screenplay which we ended up selling.
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Anybody who is a fan of any team is going to recognize themselves in this.
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As far as my brother and I, we are a great collaboration and it's fun to work with him, but it's also nice to get the hell away from him.
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Everything's a lot easier when you work with someone you know just about as well as you know yourself.
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I know this is silly, it's shallow, it's bad, I wish I wasn't this way-but if I meet a girl with no teeth, I just don't want to date her. It's creepy of me, I wish I was a bigger person, but that's my real turn-off.
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I love Philip Roth, I love all his stuff.
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I was a business major in college and Bob was an engineering major. When we got out of school, we were both salesmen.
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If you work with Jim Carrey, you're working with the best.
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Nine out of 10 times these guys will hit it-they'll be on something incredibly funny, but one out of 10, two out of 10, they'll fall flat on their faces. That's what makes them great actors: they take those chances, they don't play it safe.
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Our feeling is that the most important thing on a set is that actors have enough confidence to try different things. If there's stress or tension, they won't go out on a limb because they won't want to embarrass themselves if they don't feel completely comfortable.
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There are a lot of laughs in this movie, but it's not just about the laughs. It's really about the story, about a guy who finds his soul and realizes what's truly important.
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There was nothing like 1967-being a 10-year-old kid and having that kind of year. The drama, the excitement, the winning, the tragedy. That summer was a lifetime for me.
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We all went back to the hotel in St. Louis where the Red Sox were staying and there were a thousand Red Sox fans there. The Red Sox organization bought pizzas for everybody. We partied til 3 in the morning. I had never been to St. Louis before but I love that city. Those fans were incredible. They were pleased for us.
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We do a lot of test screenings and we always score way higher with guys than women.
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We really love all sports, but we don't think in the long term. The reason we did Kingpin was because there was a script we really liked and we saw the possibilities.
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We started noticing the Red Sox back in the mid-'60s. I think my earliest memory was Dave Morehead throwing a no-hitter. But 1967 was the magical year when Yaz went crazy.
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We've had no problems with the actors, but we keep a really loose set.

Biography

Peter Farrelly is a screenwriter, producer, director and novelist from Cumberland, Rhode Island.

Together with his brother, Bobby Farrelly, he has written, directed, and produced several comedy films including There's Something About Mary, Dumb and Dumber, Kingpin, Shallow Hal, Me, Myself and Irene and Stuck on You.

Peter Farrelly is also a published novelist, with works including Outside Providence and The Comedy Writer.

...(more on Wikipedia)

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Peter Farrelly".
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