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Author's popularity: 6
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Popularity: 2
Vote: | I don't judge records on a scale of commerciality or approachability. |
Popularity: 3
Vote: | I find that the songs mostly work - not all of them - but the songs mostly work in a sort of stripped-down way, because I think that [playing] live is a different experience, and we can't hope to match the certain number of things that are going on on a record. |
Popularity: 1
Vote: | I think that most people who write about music just want to fill some paper. They're not really interested in getting to the heart of something. Otherwise, they wouldn't write what they write. |
Popularity: 5
Vote: | I think we tend to err more towards kind of a groove or more simplistic presentation; not so many parts, not so many thrills and trills. |
Popularity: -1
Vote: | It's our fault. We've kind of set it up so that people overanalyze what we do - certainly in terms of the music. |
Popularity: 2
Vote: | The methodology is, I'm trying to think of new ways to approach ideas that I have and ideas that I want to come back to, I suppose, but I'm always trying to put them in a new way or a slightly different language or a slightly different environment. So, I think that the basic beginning point is always very different. It depends on how you look at it. |
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Biography
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Tim Gane (born July 12, 1964) is the leader of the British-based rock band Stereolab. Born in the United Kingdom Gane's musical influences are wide-ranging and generally lie outside the rock mainstream: the krautrock of Neu! and Faust; the sunshine pop of Brian Wilson, Wendy & Bonnie and The Zombies; Brazilian bossa nova composer Antonio Carlos Jobim; soundtrack composers Ennio Morricone and Roy Budd; and classical composers such as Gustav Holst and Claude Debussy.
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Tim Gane is also the name of another, unrelated, musician who played drums in the Canadian group Martha and the Muffins.
...(more on Wikipedia)
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This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Tim Gane".
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