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As a 14 or 15-year-old kid, I was just in awe and they were like 22 or 25 but those were my teachers. They were, like, "sing this song" and "this chord."
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Back in those days I was always a fan of Sam Cooke who, I guess, when I got into the business had just left the Soul Stirrers and started his [pop] career.
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Everyone was coming to the club then - Wilson Pickett, Isaac Hayes came there a few times and anyone who was coming into play the Colosseum or the Auditorium would come by after hours. It got to be known as an entertainers' hang-out - where people could jam and have a good time.
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Growing up in Memphis and listening to all kinds of music and dreaming... So that was one of the first times I wrote a complete song and set it to music and the whole bit. From then on, I was busy with it.
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I did a role in a movie called "Together For Days." I just found out recently that Samuel L. Jackson was in it!
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I felt a little uncomfortable because, when I went in to the military, I was the main male vocalist they had and when I came out they had like two or three vocalists. Otis came in when I was in the military, too.
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I spent a year and a half in Hawaii, 6 months Stateside and my Stax contract was retroactive so I started recording again. When I came back from training, I cut as much stuff as I could in 2 weeks, which was then released as singles.
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I stayed with them for about a year up there and, at night, worked over in Long Island at a club called The High Hat Club which was like a pseudo jazz / blues place.
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I was doing all of the production all of the writing - everything - and I was taking it on a silver platter to them - "Can you put this out?" I thought I could do that myself; I knew the record businesss so I invested in myself.
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I wear a lot of different hats - from writer to producer and artist. We all do 5 or 6 jobs, everything from creating our own graphic design to actually recording and the whole bit.
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Isaac and I, Carla Thomas and David Porter were in a chorale-type group called The Teen-Town Singers and we did a radio show on saturday at WDIA - the other part of the show was B.B. King, he had a show there also !
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It's been a rollercoaster ride. There have been some great moments and some low points... like when I was leaving Stax. That's when I actually thought of getting out of the business.
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My parents had problems but I didn't!
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Oh yeah! Al Jackson, Booker T.... we were all part of the Booker T. Washington School and I think Isaac was across the city at Melrose. But we all knew each other and Booker and I also went to the same church. He was younger, but he was the church organist there for a while.
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Some of my other heroes around that time were, oddly enough, Frank Sinatra, Nat Cole and people like that - I was always more inclined to listen to ballads.
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The first song that I wrote was when I was with The Del Rios. I was like 14 years old but I was always putting my thoughts down on paper even before then because it was like an escape - a way of unleashing all the stuff.
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There was an exchange programme going on between Alantic and Stax, that was when Judy Clay came in to do a session - which is how "Private Number" came about. During one session she was low on material so they said: "Do you have anything that Judy can do?"
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There was some scene in The Blues Brothers movie, when they had the chicken wire across the front of the stage, and it was almost like that. They had a big guard rail around the stage, which kept the college kids from getting on... we had some good times.
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We left Gulf and Western and went with CBS and the same thing happened. We had a kind of music that they didn't know how to market - the main market for the music was still in the South East - only Motown had blanketed the whole of the USs.
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We worked over at that place The Plantation Inn with The Del Rios. It was really wild over there.
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When I came out of service, the first couple of releases didn't really hit so I just took a little hiatus and sat down to see what was happening. I just glued my ears to the radio and then I started writing - the first hit record that came out was "Everybody Loves a Winner."
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When I came out of the military, I had a club in Memphis and I started using the The Bar Kays as my club band. They were still only in the middle school - but I'd take them on the road with me on the weekends, sometimes.
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When the Wattstax thing came out, that was the first time we realised that things were not working for Stax - we were with Gulf & Western but not in control.
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Yep, we were all in and around Memphis locally working in local clubs. I was aware of O.V. and James, because the guitarist that worked with me for a while, Clarence Nelson, became James's guitarist later on.

Biography

William Nathaniel Bell (1817 - 1887), originally from Illinois and later a resident of Portland, Oregon, was a member of the Denny Party, the first group of white settlers in what is now Seattle. He lived in Seattle from 1851 to 1856 and then again from 1870 till his death.

His family is remembered in the name Belltown, a neighborhood north of Downtown; in Bell Street; in Virginia and Olive Streets, named for two of his daughters; and in Stewart Street, named for Olive's husband Joseph.

...(more on Wikipedia)

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