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Other authors named William:
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Author's popularity: 4
Vote:  
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Popularity: 7
Vote: | He was the only person caught in the collapse, and afterward, most of his work was recovered too, and it is still spoken of, when it is noted, with high regard, though seldom played. |
Popularity: 1
Vote: | How some of the writers I come across get through their books without dying of boredom is beyond me. |
Popularity: 6
Vote: | I see the player piano as the grandfather of the computer, the ancestor of the entire nightmare we live in, the birth of the binary world where there is no option other than yes or no and where there is no refuge. |
Popularity: 5
Vote: | Justice? You get justice in the next world, in this world you have the law. |
Popularity: 5
Vote: | Power doesn't corrupt people, people corrupt power. |
Popularity: 0
Vote: | Stupidity's the deliberate cultivation of ignorance. |
Popularity: -4
Vote: | That's what my work is about, the collapse of everything, of meaning, of language, of values, of art, disorder and dislocation wherever you look, entropy drowning everything in sight... that's what I have to go into before all my work is misunderstood and distorted and, and turned into a cartoon. |
Popularity: 1
Vote: | There is nothing more distressing or tiresome than a writer standing in front of an audience and reading his work. |
Popularity: -6
Vote: | We're comic. We're all comics. We live in a comic time. And the worse it gets the more comic we are. |
Popularity: 7
Vote: | What is it they want from the man that they didn't get from the work? What do they expect? What is there left when he's done with his work, what's any artist but the dregs of his work, the human shambles that follows it around? |
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Biography
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William Gaddis (December_29, 1922 - December_16, 1998) was an American novelist, born in Manhattan.
He entered Harvard in 1941 and famously wrote for the Harvard Lampoon, but was asked to leave in 1944, after a drunken brawl. He worked as a fact checker for The New Yorker in 1946, then moved to Central America. His first novel, The Recognitions, appeared in 1955. A lengthy, complex, and allusive work, it had to wait to find its audience. Newspaper reviewers considered it overly intellectual, overwritten, and perhaps on the principle of omne ignotum per obscaenum, filthy.
Gaddis then turned to public relations work and the making of documentary films to support himself and his family. In 1975 he published JR, an even more difficult work than The Recognitions, told entirely in dialogue, with no direct indication of who is speaking at any given time. Its eponymous protagonist, an 11-year-old, learns enough about the stock market from a class field trip to build a financial empire of his own. Critical opinion had caught up with him, and the book won the National Book Award. A few years later the hugely successfully television show Dallas featured a tycoon named "JR," albeit somewhat older, and the real-life market of the 80s and since has borne an alarming resemblance to some of the machinations described here.
Carpenter's Gothic (1985) offered a shorter and more accessible picture of Gaddis's sardonic worldview. The continuing litigation that was a theme in that book takes center place in A Frolic of His Own (1994), where it seems that everyone is suing someone, with the core story satirizing the contemporaneous swirl of litigation surrounding Richard Serra's Tilted Arc. There is even a Japanese car called the Sosumi. (Gaddis has never been afraid of the pun. There is a character in The Recognitions named Recktall Brown.)
Gaddis died of prostate cancer on December 16, 1998, but not before creating his final work, Agape Agape (published in 2002), a novella in the form of the last words of a character similar but not identical to his creator.
After many years of critical neglect, Gaddis is now acknowledged as being one of the greatest of American post-war novelists. His influence is vast (although frequently subterranean): for example, it is clear that authors such as Don DeLillo and Thomas Pynchon have been heavily influenced by Gaddis and much that seemed most innovative in their own work was actually pioneered by Gaddis.
Works *The Recognitions (1955)
*J R - National Book Award (1975)
*Carpenter's Gothic (1985)
*A Frolic of His Own - American Book Award, National Book Award (1994)
*Agape Agape {2002)
*The Rush for Second Place {2002)
...(more on Wikipedia)
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This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "William Gaddis".
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