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Top 20 topics
containing "e":
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| | Ralph Allen |  | I worked three and then six hours a day in my studio with strict discipline and emotion. I obtained awards usually granted to other foreigners during the end-of-year admission tests. |
| | Herb Alpert | | I purposely wanted to go to Mexico City, to be in that environment and to see what it was like recording in another studio. |
| | Herb Alpert | | I went thru a period where I didn't know what I wanted to do musically, but I was always active in A&M, working in the recording studio, discovering new talent, which I continually do... looking for material for our artists. |
| | Beatrice Arthur | | Well, Marlon had graduated from my school a couple of years earlier. But we were together at the Actor's Studio. Everybody was there, Jimmy Dean... And back then I saw Laurence Olivier in The Entertainer, James Earl Jones in The Great White Hope... She's an old lady now-Judith Anderson! I saw her play Medea. It was so exciting; there was so much theater to see. |
| | Richard Avedon | | I always prefer to work in the studio. It isolates people from their environment. They become in a sense... symbolic of themselves. I often feel that people come to me to be photographed as they would go to a doctor or a fortune teller - to find out how they are. |
| | John Abercrombie | | On record dates like that I never felt too nervous because everything was really overdubbed. When we did that album, we were in the studio for probably a week, so you had a lot of opportunity to fix things. |
| | Sebastian Bach | | No, if it was up to me every record would be brand new studio material but Atlantic records asked me to put out a full live record because my tour really did do well last year. |
| | Scott Bakula | | I don't think that a company should own a studio and the network, and program for their own network. It hurts the creativity - it is not a level playing field. |
| | Lucille Ball | | I regret the passing of the studio system. I was very appreciative of it because I had no talent. |
| | Dirk Benedict | | If you want to have something to say about the voice or vision of a film, go to Harvard Business School. Become a Studio Exec. But don't become a writer. Or director, for that matter. |
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